Horrible Bosses (2011) Free Download Link
Horrible Bosses is a 2011 black comedy film directed by Seth Gordon, written by Michael Markowitz, John Francis Daley and Jonathan Goldstein, based on a story by Markowitz. It stars Jason Bateman, Charlie Day, Jason Sudeikis, Jennifer Aniston, Colin Farrell, Kevin Spacey, and Jamie Foxx. The plot follows three friends, played by Bateman, Day, and Sudeikis, who decide to murder their respective overbearing, abusive bosses, portrayed by Spacey, Aniston and Farrell.
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Directed by Seth Gordon
Produced by Brett Ratner
Jay Stern
Screenplay by Michael Markowitz
John Francis Daley
Jonathan Goldstein
Story by Michael Markowitz
Starring Jason Bateman
Charlie Day
Jason Sudeikis
Kevin Spacey
Jennifer Aniston
Colin Farrell
Jamie Foxx
Music by Christopher Lennertz
Cinematography David Hennings
Editing by Peter Teschner
Studio New Line Cinema
Rat Entertainment
Distributed by Warner Bros. Pictures
Release date(s)
July 8, 2011
Running time 98 minutes[1]
Country United States
Language English
Storyline
Nick hates his boss, mostly because he's expected to work from before sunrise to after sunset and his boss, Mr. Harken, calls him out for being a minute late and blackmails him so he can't quit. Dale hates his boss, Dr. Julia Harris, because she makes unwelcome sexual advances when he's about to get married. But Dale is on that pesky list of child offenders so he can't quit. Kurt actually likes his job and his boss, well, up until his boss dies and the boss's coked-out, psychopathic son takes over. But who would be crazy enough to quit their jobs in such poor economic times? Instead Nick, Dale and Kurt drunkenly and hypothetically discuss how to kill their bosses, and before they know it, they've hired a murder consultant to help them pull off the three deeds.
Details
Official Sites: Official site | Add/edit official sites »
Country: USA
Language: English
Release Date: 8 July 2011 (USA) See more »
Also Known As: Quiero matar a mi jefe See more »
Filming Locations: Glendale, California, USA
Box Office
Budget: $35,000,000 (estimated)
Opening Weekend: $28,302,165 (USA) (10 July 2011) (3040 Screens)
Gross: $209,638,559 (Worldwide) (27 October 2011)
Production
Development
Markowitz's script for Horrible Bosses was sold at auction to New Line Cinema by Ratner's Rat Entertainment in 2005 for a six-figure amount.[9][25] Ratner initially was interested in directing, but became occupied with directing the comedy Tower Heist.[9] Frank Oz and David Dobkin were in talks to direct.[26] Jonathan Goldstein and John Francis Daley rewrote the script in 2010, and the project went into production with Gordon directing.
Design
"It's like we have a team of three people playing against an opposing team of three, with the Jamie Foxx character as referee. We wanted to distinguish these three environments and play the two sides off each other. Each environment is a reflection of the person who controls it."
– Production designer Shepherd Frankel on the approach to set design.[8]
Production designer Shepherd Frankel specifically set out to create distinctly different environments for the three employees and their respective bosses' homes and offices. Nick and Harken's workplace is the "Comnidyne" bullpen, which was designed to "enhance the discomfort and anxiety of lower-level employees clustered in the center of the room where every movement is monitored by the boss from his corner office." The design team met with financial strategists and management companies to learn about the architecture of their office layouts to visually represent the experience of starting from a low-ranking position in a cubicle and aspiring to an office.[8] Costume designer Carol Ramsey worked with Frankel and set decorator Jan Pascale to match Harken's suit to that of the surrounding "cold grey and blue" color palette of his office.[8] Harken's home was described as "equally lacking in warmth" as the office but more lavishly decorated and "for show", including an intentionally oversized portrait of him with his "trophy wife".[8]
Designing Julia's office was described as a "challenge", infusing a "sensual vibe" into a dental office. Frankel approached the design through Julia's mentality, stating,
"She's a Type A professional at the top of her game, who likes to play cat-and-mouse, so it's a completely controlled environment, with apertures and views into other rooms so she always knows what's going on". "It's highly designed, with rich wallpaper and tones, sumptuous artwork and subtle lighting—all very disarming till you step into her private office. The blinds close, the door locks and you think, 'It's the Temple of Doom.'" Similarly approaching the character's home, the design allowed for wide windows which face onto a public street "which afford her the opportunity to put on the kind of show she couldn't get away with at work."[8]
Bobby's environments were designed with more contrast, the character being new to the work area. Frankel described the contrast as "the company reflects [Jack Pellitt's] human touch, whereas [Bobby Pellitt's] home is a shameless shrine to himself and his hedonistic appetites." Frankel continued, "It features a mishmash of anything he finds exotic and erotic, mostly Egyptian and Asian motifs with an '80s Studio 54 vibe, a makeshift dojo, lots of mirrors and a massage table." Some parts of the house design were provided by Farrell and Gordon's interpretation of the character and his "infatuation" with martial arts and "his delusions of prowess".[8]
Filming
Filming of Horrible Bosses took place in and around Los Angeles.[27] The production team attempted to find locations "that people haven't already seen a hundred times in movies and on TV", aiming for the film to appear as if it could be taking place anywhere in America "where people are trying to pursue the American dream but getting stopped by a horrible boss." "Comnidyine" was represented by an office building in Torrance, California, with the crew building the set on a vacant floor.[8] For "Pellitt Chemical", the production team found a "perfect landscape of pipes and containers" in Santa Fe Springs, surrounding an unoccupied water cleaning and storage facility. To take advantage of the surrounding imagery, the warehouse required an extensive series of overhauls, including cutting windows into concrete walls and creating new doorways to allow for visuals of the warehouse exterior and provide a setting for the final scene of Sutherland's character.[8] A T.G.I. Friday's in Woodland Hills, Los Angeles, was used as a bar frequented by Nick, Dale and Kurt, while the bar scene where they meet with Jones was staged in downtown Los Angeles.
The film was shot digitally using the Panavision Genesis camera.[28] Gordon encouraged the actors to improvise, though Aniston claimed to not have taken advantage of the offer as much as her co-stars, stating, "My dialogue was just so beautifully choreographed that there wasn’t much that I needed to do”.[29]
Music
The soundtrack was composed by award-winning composer Christopher Lennertz, with music contributed by Mike McCready of Pearl Jam, Stefan Lessard of Dave Matthews Band and Money Mark—a collaborator with The Beastie Boys.[22] McCready, Lessard, and Mark worked with musicians Matt Chamberlain, David Levita, Aaron Kaplan, Victor Indrizzo, Chris Chaney, Davey Chegwidden and DJ Cheapshot[30] to develop the music.[22] Major contributions were provided by Mark on keyboard, McCready and Levita on guitar, Chaney and Lessard on bass, Indrizzo on drums and DJ Cheapshot on turntables.
Company Credits
Production Co: New Line Cinema, Rat Entertainment See more »
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Technical Specs
Runtime: USA: 98 min | 106 min (extended cut)
Sound Mix: Dolby Digital | SDDS | DTS (as Datasat Digital Sound)
Color: Color
Aspect Ratio: 2.35 : 1
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